Sep 7, 2020

Jan Vincent Gonzales can’t say the name of a writer without alerting his virtual assistant trapped inside a smart speaker. He runs a global consultancy for Filipino talents, a sort of index. Though if you ask him and many queer Filipinos abroad, they would prefer to be called Filipinx.

A month into quarantine he launched Mercado, the said index, a “digital palengke” for artists, creators, creatives of all fields. He signed photographers both Manila-based and US-based along with artists, illustrators and graphic designers. The name Mercado Vicente combines his mother’s maiden name and his middle name. He did that amid the pandemic, a lifeline for Filipino creatives struggling during this changing time.

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#MERCADOVICENTE proudly introduces STORIES, our newest addition to our platform. As we continue to grow and develop, we want to further lean into our work of increasing the visibility and representation of our diverse global creative community through short stories, essays, articles, interviews, poems, etc. We are so proud to partner with @hernameisalex in releasing our first essay discussing how she finds connection to her Filipino roots in a culturally mixed world. "Upon moving to New York City in 2014, Alexa Tietjen began covering album releases and live concerts for local blogs such as All Things Go and Pancakes and Whiskey. Her bylines have since appeared in @vh1 and @bust_magazine” Along with exclusive art by @mauraisabelr @_bulawan and @u_ncrn discover Alexa's story exclusively on MERCADOVICENTE.com Don't forget to also check-out all the new updates we've done to the website to enhance your overall experience discovering the talent of our community. Please make sure to like, comment, and share with your friends to continue growing our platform! #MERCADOVICENTE #JANVINCENTGONZALES #FILIPINA #FILIPINX #FILIPINO #CREATIVES #WRITERS

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“Being creatives means so many different things,” Gonzales, the founder and director of his eponymous agency says. “Stories” is another facet of creativity he wanted to highlight through Mercado Vicente. “Through writing, we want Filipinos all over the world to connect and find similarities within themselves through their stories.”

 

Minority within a minority

The writer who cannot be named was Alexa Tietjen, who’s also a video producer. She was the first writer to be published under “Stories”, a collection of narratives, words, poems, and other written forms accompanied by visuals on what it means to be Filipino wherever you are in the world—a love letter on the diversity of Filipino experience.

When her story came out, the Filipino community abroad was buzzed with the issue of a white-owned wine bar called Barkada. Gonzales wrote about it in detail, which became technically the first entry in “Stories.” There he writes, “After learning of a new wine bar opened by four white men in Washington D.C. taking this moniker, we had to do something. 

“These guys landed on Eater for capitalizing on a Tagalog word. There’s no reason then that we should have any problem with highlighting on the many Filipino establishments that are run by Filipinos.” And list these Filipino-run restaurants he did.

Then there is the backdrop of the Black Lives Matter movement in the US, which further examines the role and the place of Asian-Americans in the country that’s racially-divided.

“Through writing, we want Filipinos all over the world to connect and find similarities within themselves through their stories.”

Exclusive art by Maura Rodriguez for Mercado Vicente

Alexa’s story is one of a minority finding a place within a minority in a foreign country. The daughter of a Filipina mother and a German-Swedish father, her identity is often questioned within the very community she seeks refuge in. People ask her, if she is not Chinese, then what is she? A tendency by white folks to conflate all Asian identities into one classification as East Asians makes it even harder for the likes of Alexa.

But as she wrote and Gonzales wants to prove through a diverse collection of writing: there is no one way to be Filipino.

 

One story at a time

When I spoke to Gonzales over Zoom to talk about this latest addition to their Mercado initiative, it also happened to be Buwan ng Wika in the Philippines, a month-long celebration of the indigenous languages of the country. The topic in itself is highly politicized and polarizing considering there are over 100 languages used in the Philippines’ 7,100+ islands and just one official language based on one used in Luzon particularly in the Tagalog region.

“We push for highlighting the experiences of marginalized voices in our community, especially those of queer folx and womxn.”

Since our conversation, Gonzales’ library of Filipinx experience has expanded—for one, he gleefully shares on his Instagram that the term “Filipinx” has now been added to dictionary.com.

There are now four entries published on “Stories”: Alexa’s reflection on minority identity; Caresse Fernandez’s poem anchored on her lola’s dark lips; Will Conlu’s “Eat, Pray, Love”-esque journey amid the pandemic; and a Q&A by Gonzales and Cirillo Torres with filmmaker Isabel Sandoval on her ground-breaking film “Lingua Franca,” which centers on an undocumented transgender Filipina living in Brooklyn and her struggle with identity, civil rights and immigration.

“Mercado Vicente felt strongly about sharing the film’s story with our community because we stand for Filipinx creatives whose voices are not normally heard in mainstream media,” Gonzales and Torres write. “We push for highlighting the experiences of marginalized voices in our community, especially those of queer folx and womxn.”

Much like every story published since the platform’s inception in July, the piece is accompanied by visuals exclusively created by Filipino artists for Mercado Vicente. For the feature on Sandoval’s full-length film, they’ve partnered with filmmaker Ava Duvernay’s production company Array Now that spotlights the work of people of color and women of all kinds.

There are nine artworks that interpret Sandoval’s masterpiece in that piece alone. But Gonzales is not stopping there. In a similar Instagram prompt that started “Stories”, he asks artists all over the world to share their interpretations of the film through art. The entries will then be uploaded to the index alongside the works of many other Filipino creatives.

The Q&A with Sandoval is accompanied by artworks by the likes of Venazir Martinez, Clarisse Provodo and Eutalia De La Paz

Making sure that our stories are told

So how does Gonzales manage all this creative output in the middle of a global shift due to the pandemic? Callouts are easy. With his over 3,000 Instagram followers and a community of like-minded Filipinos abroad, there is bound to be an abundance of material. It also helps that Gonzales’ peers in the Philippines—the likes of designer Carl Jan Cruz, his consultancy’s first client—help amplify this cause in the motherland. The problem really is how to go through the deluge of portfolios and submissions with his team.

Designer Carl Jan Cruz and Gonzales in Paris last year

“There is an extreme lack in the stories that are being told about being Filipino. The fact that we are a minority within a minority says something.”

“The plan initially is to put out two to three stories a week,” he says but that proved to be a challenge since they have to coordinate with the artists who are doing the visuals, too. Right now, he and his team are taking their time to sift through all of it and publish without pressure, which works well considering most of the writings are timeless.

Gonzales is banking on the vastness of Filipino experience, and it hasn’t failed him so far. He shares that right away submissions fit the prompt—he didn’t have to wring it out of them to create something that would click with Mercado Vicente’s goal: to give a platform to all kinds of Filipino voices around the world. 

Maybe it’s the spare time we now collectively have in abundance in quarantine. But as Gonzales put it, it may also be that deep within, these stories have always been there but without an avenue to express them. 

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In our work, it has come up very often that people demerit others’ experiences and opinions because they are not deemed Filipino enough. Ask yourself why that’s your point of argument instead of trying to see that our culture, all throughout the world, can be seen and experienced so differently. Ask yourself why you are alienating people that are effectively trying to connect with you. All I have to say on this is that, no matter how many comments or arguments we get into, our work is to bring light to the vast differences of experiences with our culture. Our work is a continuous and never ending journey of learning and unlearning. Our work is a constant development of working towards a better future for our culture. Our work will always involve conversations and discussions that cannot be solved overnight. If you are not doing your part to actively amplify the marginalized voices in our global community, then your feedback will not be considered here. You do not have to be a part of this movement. However know that, the work that we do, still benefits you. We will make mistakes. We will have our differences. But the glory of our triumphs will be celebrated together. So, if you’re willing to keep an open mind, then join us. Now, let’s argue about something else that really matters. Who’s mom (edit: dad, parent, sibling, or you) makes the best adobo? #JANVINCENTGONZALES #FILIPINA #FILIPINX #FILIPINO

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Despite 2020 being relatively a year of reckoning where we are now all recognizing the diversity of talent and experience, there is still a lot of representation missing in the mainstream media. “I think it’s why we’re pushing so hard for this one, too,” Gonzales says. “When they say Asian-American, they’re usually just talking about Chinese, Japanese and Korean people. What about the southeast Asian people?

“There is an extreme lack in the stories that are being told about being Filipino. The fact that we are a minority within a minority says something. The fact that even if you look at Hollywood and they say ‘Oh, we’re doing better with Asian representation.’ Yeah, but you’re only doing Eastern Asians. That’s what we’re trying to fight here: making sure that our stories are told.”

Before ending our conversation, 12 hours apart and with the internet connection testing us every 10 minutes, I ask what’s next for his ambitious project.

“We definitely want to look into music and film, it’s just a matter of us being able to build the website to host it properly. Just as there is no one way to be Filipino, there is no one way to be creative and there are so many creatives that call themselves multi-disciplinary and they are! It just shows you how talented Filipinos are.”

 

 

Header artworks by Venazir Martinez, Maura Rodriguez and Jill Arteche

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TAGS: art filipino creatives filipino diaspora filipino identity filipnx Film interview jan vincent gonzales mercado vicente personal essay Stories writing