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The inherent racism of “South Pacific” musical according to Singaporean artist Ming Wong

South Pacific is a Rogers and Hammerstein 1949 Broadway musical and a 1958 Hollywood film, which is based on the Pulitzer Prize-winning 1947 book Tales of the South Pacific by author James A. Michener. Set during World War II, it tells the tale of love between an American nurse assigned on a South Pacific island and an expatriate French man, and a Tonkinese woman and an American lieutenant. Both love stories are threatened by the dangers of prejudice and war.

“Taking place in the backdrop of the Pacific campaign during World War II, the plot, lyrics, and staged scenery of South Pacific largely influenced the West’s mediatized exotic projection on the Pacific region, its inhabitants, and America’s Post-war control upon it,” writes Bellas Artes Projects (BAP) on its press release.

Bloody Marys – Song of the South Seas, mixed media installation featuring a single channel video with stereo sound, and artist’s archive of photographs, annotated music scores, cinema ephemera, etc. Photo courtesy of Ming Wong

BAP has a new artist-in-residence and it’s the Berlin-based Singaporean Artist Ming Wong. Wong will be having a lecture-performance on the inherent racism and building of empire found in South Pacific on Feb. 23, 6 p.m., at Tanghalang Huseng Batute (CCP Studio Theatre), Cultural Center of the Philippines.

Called Your Special Island, this lecture-performance will focus on the musical’s song “Bali Ha’I,” interpreted by Tonkinese female character Bloody Mary. It’s played by the African-American Juanita Hall in the Hollywood version.

“With a fake, broken English, Bloody Mary is portrayed as the ‘native-expert’ who ponders her own daughter towards marrying a white American lieutenant, who in turn is struggling with his own angst for desiring a non-white woman.

Your Special Island is presented at a timely decolonized perspective around race and identity, as well as in an era of a new order in the militarization of the seas off the shores of the Asia-Pacific region,” writes BAP.

The lecture-performance is open to the public and free. To secure a spot, register here.

 

Featured image courtesy of Carlier | Gebauer

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